After completing the guitar-based solo album Songs from the Imperial Garden  (a collection of instrumentals brimming with acoustic intimacy that he would release in 2020), Lisher thought it was time for something different. UNDERWATER DETECTION METHOD sees Greg for the first time writing songs using keyboards and exploring a new world of synthesized sounds. Always a lover of keyboards and synths, and of the more experimental excursions of favorite artists such as Brian Eno, Greg took the plunge and made the decision to finally release a solo album that was anything but guitar-centric. 

The resulting 12-songs make for an instrumental record shaded with elements of art rock, ambient, dub and prog conjuring an inspired fusion that manages to split the difference between the melodic and the experimental. Some tracks seem born to accompany the emotional climax of an unforgettable movie, while others wouldn’t feel out of place in a volume of the KPM 1000 series. With this new self-produced album Greg approached songwriting with an open-minded disposition; he’d start songs by experimenting with sound collage which would take him to places he did not expect to go. “It’s like fishing,” he says, “I have no idea what I’m going to catch.” The album’s title reflects that analogy and reveals a most vibrant, creative eagerness. Lisher might have joined Camper Van Beethoven some 39 years ago, but UNDERWATER DETECTION METHOD shows that you never know when you’ll discover new things about yourself or the music you make and love.